- 欧元
Ancient_G_Modern.ttf
Ancient G Modern 字体
作者说明
Ancient G Modern 由 Gen Aris 设计，是一款免费的像素位图字体，带有鲜明的未来主义风格。由厚重的矩形笔画、方形切口和突兀的阶梯状转角构成，字符仿佛是从早期电脑屏幕中译码出的编码标识。
其刚硬的几何感非常适合游戏界面、科幻海报、电子音乐艺术作品以及科技活动视觉图。这款免费字体在短标题或标题卡片中效果最佳，独特的开口设计和相互交错的块状结构在此处有足够的空间，在不失其诡异而庄重节奏感的同时，充分展现个性。
--
Ancient G Modern 是对 SGA/SG1 ANCIENT 字符集的扩展，提供了一个更完善的字体。它区分大小写，并包含了标点符号和扩展字符。
如有疑问或建议，请发送邮件至：
genaris at gmail dot com
其刚硬的几何感非常适合游戏界面、科幻海报、电子音乐艺术作品以及科技活动视觉图。这款免费字体在短标题或标题卡片中效果最佳，独特的开口设计和相互交错的块状结构在此处有足够的空间，在不失其诡异而庄重节奏感的同时，充分展现个性。
--
Ancient G Modern 是对 SGA/SG1 ANCIENT 字符集的扩展，提供了一个更完善的字体。它区分大小写，并包含了标点符号和扩展字符。
如有疑问或建议，请发送邮件至：
genaris at gmail dot com
标签
字符映射表
使用下拉菜单查看此字体包含的不同字符映射表。
字体基本信息
版权注意
by Gen Aris -Inspired by fan fonts Anquietas, Alteran, & my personal prefs . . .
字体系
Ancient G Modern
字体次系
Regular
独立次系身份
Ancient G Modern:Version 1.00
全字体名称
Ancient G Modern
名字目录版
Version 1.00 September 26, 2008, initial release
页面描述语言字体名称
AncientGModern
注册商标注意
FANS are welcome to USE or MODIFY at will but please RENAME any modified versions you may create as to avoid confusion. :)
制造商名字
Gen Aris
设计师
Gen Aris
描述
A variant of the ANCIENT glyphsets used by the Ancients in Stargate: Atlantis.
The purpose with this revision is to CREATE PUNCTUATION and ADDITIONAL CHARS/SYMBS to facilitate better clarity when applying this font to English documents which contain punctuation and other characters.
Per show canon, the Ancients did not appear to use punctuation marks, nor did they distinguish between Upper/Lower case. Again, to facilitate use of this font in regular documents or even as the Windows font (for menus etc) I have created CAPITALIZED VARIANTS which are identical to the lower case except I added a SQUARE DOT FLOATING ABOVE TOP LEFT of CAPPED KEYS. Passwords and user names sometimes use L/case and U/case letters, so it is necessary to distinguish the 2 cses in daily life here on Earth!
My logic for the design of new characters is as follows:
Letters are made up of white/black blocked spaces dividing on a 3 wide by 4 high grid. A few letters make use of subdivsions within the grid.
In canon, all numerals share a centered descender "tail" unlike the letters.
I took this further, by giving all punctuation mark glyphs a centered ascender on top, like an upside down version of the numeral tail -- an "antenna" if you will. This should make it easier to become facile at visually distinguishing punctuation marks from letters or numbers.
Some punctuation marks or symbols are used in numeric/math contexts partly or wholly. So, math or number oriented and shared alphanumeric/math punctuations are given the "tail" of numerals and the "antenna" of punctuation/symbols to so indicate the context.
The numbers, in canon, have a slightly more subdivided or even an altered grid used in their design than do the letters. Here, as well, both numbers and punctuation/symbols share this more prominent use of subdivision or underlying grid different from the letter glyphs.
Overall, I tried to adhere to the digital, techno-sensibility of the glyphs as seen in SG-1 and SGA while striking a balance with variations of weight and tone so as to be reasonably attractive, while remaining aware of the need to make this practical and functional. How well I fared toward my goals, I leave to you to decide. :)
Gen Aris
genaris@gmail.com
The purpose with this revision is to CREATE PUNCTUATION and ADDITIONAL CHARS/SYMBS to facilitate better clarity when applying this font to English documents which contain punctuation and other characters.
Per show canon, the Ancients did not appear to use punctuation marks, nor did they distinguish between Upper/Lower case. Again, to facilitate use of this font in regular documents or even as the Windows font (for menus etc) I have created CAPITALIZED VARIANTS which are identical to the lower case except I added a SQUARE DOT FLOATING ABOVE TOP LEFT of CAPPED KEYS. Passwords and user names sometimes use L/case and U/case letters, so it is necessary to distinguish the 2 cses in daily life here on Earth!
My logic for the design of new characters is as follows:
Letters are made up of white/black blocked spaces dividing on a 3 wide by 4 high grid. A few letters make use of subdivsions within the grid.
In canon, all numerals share a centered descender "tail" unlike the letters.
I took this further, by giving all punctuation mark glyphs a centered ascender on top, like an upside down version of the numeral tail -- an "antenna" if you will. This should make it easier to become facile at visually distinguishing punctuation marks from letters or numbers.
Some punctuation marks or symbols are used in numeric/math contexts partly or wholly. So, math or number oriented and shared alphanumeric/math punctuations are given the "tail" of numerals and the "antenna" of punctuation/symbols to so indicate the context.
The numbers, in canon, have a slightly more subdivided or even an altered grid used in their design than do the letters. Here, as well, both numbers and punctuation/symbols share this more prominent use of subdivision or underlying grid different from the letter glyphs.
Overall, I tried to adhere to the digital, techno-sensibility of the glyphs as seen in SG-1 and SGA while striking a balance with variations of weight and tone so as to be reasonably attractive, while remaining aware of the need to make this practical and functional. How well I fared toward my goals, I leave to you to decide. :)
Gen Aris
genaris@gmail.com
字体扩展信息
支持的平台
平台编码
统一字符编码2.0及以上字符编码型，只有BMP统一字符编码
苹果电脑罗马
微软只有BMP统一字符编码
字体详情
创建日期2008-09-27
版本1
字形数量121
每em单位数1000
嵌入权限永久安装的嵌入
字体家族分类无归类
字重中等（常规）
字宽加强压缩
Mac样式粗体
方向只限从左到右的字符+包含中立
图案属性常
字符间距无间隔
相似字体
