PT Sans Narrow 字体

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PT Sans Narrow ParaType LtdA. Korolkova O. Umpeleva V. Yefimov TrueType免费软件更新日期

口音（局部的）
口音（全部）
欧元

PTN57F.ttf

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作者说明

PT Sans Narrow, designed by A. Korolkova, O. Umpeleva, and V. Yefimov of ParaType Ltd, is a free narrow humanist sans serif. Its tall, economical letters have gently changing stroke widths and softly shaped curves. The overall drawing feels orderly and composed, yet the curves keep it from looking rigid.

It suits both transit signage and tightly planned magazine pages. The slim proportions and calm curves link those uses with packaging labels, exhibition graphics, and digital interfaces, all settings that value efficient lettering with a humane voice.

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字体基本信息

版权注意

字体系

PT Sans Narrow

字体次系

Regular

独立次系身份

ParaTypeLtd: PT Sans Narrow: 2010

全字体名称

PT Sans Narrow

名字目录版

Version 2.003

页面描述语言字体名称

PTSans-Narrow

注册商标注意

PT Sans is a trademark of the ParaType Ltd.

制造商名字

ParaType Ltd

设计师

A.Korolkova, O.Umpeleva, V.Yefimov

描述

PT Sans is a type family of universal use. It consists of 8 styles: regular and bold weights with corresponding italics form a standard computer font family; two narrow styles (regular and bold) are intended for documents that require tight set; two caption styles (regular and bold) are for texts of small point sizes. The design combines traditional conservative appearance with modern trends of humanistic sans serif and characterized by enhanced legibility. These features beside conventional use in business applications and printed stuff made the fonts quite useable for direction and guide signs, schemes, screens of information kiosks and other objects of urban visual communications.

The fonts next to standard Latin and Cyrillic character sets contain signs of title languages of the national republics of Russian Federation and support the most of the languages of neighboring countries. The fonts were developed and released by ParaType in 2009 with financial support from Federal Agency of Print and Mass Communications of Russian Federation. Design - Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov.